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Mp3 music: Massive Attack

Artist: Massive Attack: mp3 download    Genre(s):  Trip-Hop Alternative Electronic Pop: Pop-Rock Dance Other     Massive Attack's discography:      Collected    Year: 2006    Tracks: 24      Mad Storage    Year: 2005    Tracks: 15      Bullet Boy    Year: 2005    Tracks: 2      Danny the dog    Year: 2004    Tracks: 21      100th Window    Year: 2003    Tracks: 9      Teardrop (Single)    Year: 1998    Tracks: 5      Singles 90 98 (CD11)    Year: 1998    Tracks: 7      Singles 90 98 (CD10)    Year: 1998    Tracks: 5      Singles 90 98 (CD09)    Year: 1998    Tracks: 5      Singles 90 98 (CD08)    Year: 1998    Tracks: 5      Singles 90 98 (CD07)    Year: 1998    Tracks: 7      Singles 90 98 (CD06)    Year: 1998    Tracks: 6      Singles 90 98 (CD05)    Year: 1998    Tracks: 7      Singles 90 98 (CD03)    Year: 1998    Tracks: 6      Singles 90 98 (CD01)    Year: 1998    Tracks: 5      Mezzanine    Year: 1998    Tracks: 11      Live At Albert Hall    Year: 1998    Tracks: 7      Inertia Creeps (Single)    Year: 1998    Tracks: 7      Inertia Creeps    Year: 1998    Tracks: 7      Angel (Single)    Year: 1998    Tracks: 5      Angel    Year: 1998    Tracks: 5      Risington (Single)    Year: 1997    Tracks: 5      Remix Album    Year: 1997    Tracks: 13      Protection (Single)    Year: 1995    Tracks: 6      Protection (Karmacoma)    Year: 1995    Tracks: 16      Protection    Year: 1995    Tracks: 10      No Protection    Year: 1995    Tracks: 8      Karmacoma (Single)    Year: 1995    Tracks: 7      Karmacoma    Year: 1995    Tracks: 7      Sly (Single)    Year: 1994    Tracks: 7      Sly    Year: 1994    Tracks: 7      Karmakoma    Year: 1994    Tracks: 7      Hymn Of The Big Wheel    Year: 1994    Tracks: 5      Hymn Of The Big Wheel (Single)    Year: 1992    Tracks: 5      Unfinished Sympathy    Year: 1991    Tracks: 5      Safe From Harm    Year: 1991    Tracks: 6      Blue Lines    Year: 1991    Tracks: 9      Daydreaming (Single)    Year: 1990    Tracks: 5      Daydreaming    Year: 1990    Tracks: 5      Indian Nusrat Fateh Ali Khan - (Lounge)    Year:     Tracks: 1 The pioneering power slow the open of trip-hop, Massive Attack were among the nearly forward-looking and influential groups of their generation; their mesmerizing reasoning -- a in darkness sensual and cinematic fusion of hip-hop rhythms, soulful melodies, horse grooves, and choice samples -- set the gait for a great deal of the dance medicine to come out end-to-end the nineties, paving material material the way for such acclaimed artists as Portishead, Sneaker Pimps, Beth Orton, and Tricky, himself a Massive Attack graduate. Their history dates back to 1983 and the formation of the Wild Bunch, one of the earliest and most successful sound-system/DJ collectives to get in on the U.K. music aspect; illustrious for their seamless integration of a wide-cut range of musical styles, from punk to reggae to R&B, the group's parties speedily became can't-miss events for the Bristol clubhouse crowd, and at the bloom of their popularity they drew crowds so awful that the local bouncy music scene basically run aground to a block. When the Wild Bunch folded during the mid-'80s, two of its members -- Andrew "Mushroom" Vowles and Grant "Dada G" Marshall -- teamed with local graffiti artist 3D (born Robert del Naja) to form Massive Attack in 1987; some other Wild Bunch alum, Nellee Hooper, split his meter between the new group and his other stick out, Soul II Soul. The group's number 1 single, "Oneirism," appeared in 1990; it featured the sensual vocals of isaac M. Singer Shara Nelson and raps by Tricky, some other onetime Wild Bunch quisling. The classic "Unfinished Sympathy" followed, as did some other compelling effort, "Safe From Harm." Finally, in 1991 Massive Attack issued their debut LP, Blue Lines; piece by no substance a huge commercial success, the record was met with major critical praise, and was dubbed an exigent classical in many living quarters. Nelson, featured on many of the album's most memorable tracks, exited for a solo career shortly after, and the radical then bewilderingly changed their name to only "Massive" to debar whatsoever implication of favourable reception for the U.N.'s policy towards Iraq; in the wake of the fatal U.S. spell that followed, many were quick to write the band off right then and in that respect. Afterwards a three-year layoff, Massive Attack -- their full name now the right way reinstated -- resurfaced with Auspices; again working with Hooper and Tricky, they besides brought into the plica singer Nicolette, as well as Everything merely the Girl's Tracey Thorn. Three singles -- "Karmacoma," "Guileful," and the statute title track -- were released from the LP, which was besides remixed in its totality by Mad Professor and issued as No Protection. A drawn-out tour of duty followed, and over the side by side several age, Massive Attack's solo put to work was principally confined to remixes for artists including Garbage; they besides worked with Madonna on a track for a Marvin Gaye tribute record album. Finally, to promote their appearance at the annual Glastonbury music festival, the group issued a new EP, Risingson, during the summer of 1997. The third full-length Massive Attack effort, First balcony, appeared in mid-1998; in add-on to reggae singer Horace Andy, making his third consecutive LP show with the mathematical group, outspoken chores were handled by the Cocteau Twins' Elizabeth Fraser and fledgling Sara Jay. Entresol became a cult strike among critics, clubs, and the college crowds, spinning successful singles such as "Teardrop" and "Inertia Creeps." A spell of America and Europe followed, merely Vowles left the dance band after disagreeing with the artistic direction of Mezzanine floor. Del Naja and Marshall continued as a duet, after working with the likes of David Bowie and the Dandy Warhols, merely Marshall later took a leave of absence to elevate his family; producer Neil Davidge took up the slake. In February 2003, after a five-year expect, Massive Attack released their fourth record album, centesimal Window, including collaborations with lynchpin Horace Andy as well as Sinéad O'Connor. Danny the Dog from 2004 marked the group's introduction into the world of soundtracks.

Amboy Dukes

   
Artist: Amboy Dukes

   Genre(s): 
Rock
   

---

Discography:


   
 The Amboy Dukes

   Year: 1967   
Tracks: 13

---

Best remembered for their 1968 psychedelic rock classical "Journey to the Center of the Mind," Detroit's Amboy Dukes besides introduced the world to the Motor City Madman, guitarist Ted Nugent. The group's roots particular date to 1965, a period when a teenaged Nugent was living in Chicago; there he formed the first-class honours degree incarnation of the Amboy Dukes, borrowing the sobriquet from a recently-disbanded Detroit dance orchestra wHO themselves took the name from an infamous explotiation novel of the period. When Nugent returned to southeastern Michigan in 1967, he assembled a new Dukes line up including vocaliser John Drake, his other bandmate in the Lourds, as well as rhythm guitar player Steve Farmer, bassist Bill White, keyboardist Rick Lober and drummer Dave Palmer. Quickly the group emerged as one of the hottest attractions on the Detroit clubhouse circuit, famous for their snarling closer, an incendiary compensate of Them's "Baby Please Don't Go."


Still, when the Amboy Dukes' self-titled debut LP appeared on the Mainstream label in 1967, it was the group's originals that became the focus -- patch Nugent handled the music, Farmer penned the drug-fixated lyrics, adding a psychedelic sensibility to an otherwise proto-metal healthy. After a series of find shifts which saw White and Lober exit in favour of bassist Greg Arama and keyboardist Andy Solomon, in 1968 the Dukes issued Journey to the Center of the Mind, riding the title running into the U.S. Top 20. Vocalist Rusty Day replaced Drake in time for 1969's Migrations, which failed to equal the success of its predecessor; Marriage on the Rocks, issued later that same yr, was besides a letdown, and after 1971's Survival of the Fittest Nugent discharged Day and Solomon after Palmer left the group to accept an technology gig. After recording a fistful of albums as Ted Nugent and the Amboy Dukes, he last dropped the group's name in all and mounted a solo calling.

Opera manager Edgar Vincent dead at 90

NEW YORK —

Edgar Vincent, who represented Placido Domingo, Beverly Sills, Mikhail Baryshnikov and a bevy of stars in classical music during a six-decade career, died Thursday following an operation in New York. He was 90.

Vincent died at Lenox Hill Hospital, Patrick Farrell, his business partner, said Monday. He had fallen following surgery to replace a stent in his bile duct, and died during rehabilitation from a blood clot, Farrell said.

Vincent was the primary spokesman for Domingo for the past 20 years.

"There are no words to express the personal loss I feel nor the professional loss to the world of opera," Domingo said in a statement. "I knew Edgar Vincent from the beginning of my career in the U.S. and his impact on my life cannot be measured. In fact, I know of no one who was not touched by Edgar's dignity and humanity throughout the world of music. We will not see the likes of Edgar again."

Vincent managed the careers of Sills and Baryshnikov, and in recent years also represented bass Samuel Ramey, violinist Gil Shaham and composer William Bolcom.

In an career that landed his clients on newspaper front pages and magazine covers, Vincent was the publicist for sopranos Birgit Nilsson and Mirella Freni, mezzo-soprano Cecilia Bartoli, basses Ezio Pinza and Cesare Siepi, and violinist Yehudi Menuhin. He managed conductor Erich Leinsdorf and soprano Teresa Stratas.

Vincent was cremated Monday, according to Farrell, who had worked with Vincent for 21 years.

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Expired

We love cinema that makes us laugh, cry, or squirm with discomfort. And when a film accomplishes all three, as does Expired--on the pure strength of smart writing and excellent performances--it's a small miracle.

Mariah Carey Had Mrs. Cannon Tattoo Before Getting Married

Mariah Carey’s wedding to Nick Cannon was not a last minute thing according to Oprah Winfrey – the singer has her married name tattooed on her back when she appeared on the chatshow before tying the knot.



Tom Cruise’s new best pal admitted she regrets not questioning the E=MC2 singer about her relationship to Cannon when she appeared on the show on 14 April.



Despite being introduced to her then-fiance backstage, Oprah thought nothing of the magical moment, or the suspicious tattoo etched on Mariah’s back.



She said: "She'd done the tattoo on her back that said `Mrs. Cannon,' so they were already planning on doing it (getting married)."


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• Mariah Carey’s Marriage Confirmed
• Rapper Arrested For Speeding
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Tazenda

   
Artist: Tazenda

   Genre(s): 
Rock: Folk-Rock
   

---

Discography:


   
 Bum-Ba

   Year: 2005   
Tracks: 11


   
 Bandidos

   Year: 2003   
Tracks: 2


   
 Bios

   Year: 2001   
Tracks: 12


   
 Raccolta

   Year: 2000   
Tracks: 35


   
 Sardinia

   Year: 1998   
Tracks: 10


   
 Il Sole Di Tazenda

   Year: 1997   
Tracks: 16


   
 Fortza Paris

   Year: 1995   
Tracks: 10


   
 Limba

   Year: 1992   
Tracks: 11


   
 Murales

   Year: 1991   
Tracks: 10


   
 Tazenda

   Year: 1988   
Tracks: 9


   
 Il Coro degli Angeli

   Year: 1982   
Tracks: 8


   
 Il Popolo Rock

   Year:    
Tracks: 16

---

Italian experimental stone grouping Tazenda started as a trio in 1987, making their debut with a strain called "A Sa Zente." A year later, the band released a self-titled record album, followed by 1991's Murales, went on tour around the state, and even had the opportunity to become an opening act for Simple Minds. In accession, Tazenda teamed up with singer/songwriter Pierangelo Bertoli to enter in San Remo's Festival with a birdcall called "Spunta la Luna Dal Monte," returning to the same case in 1992 with "Pitzinnos in Sa Gherra" and connexion a concert organized by Amnesty International and the Italian-Tibetan Society. After Limba, the substitute group released a unrecorded record album called Il Popolo Rock in 1993 and Fortza Paris in 1995. They recorded Sole Di Tazenda in 1997, Sardinia in 1998, and Bios -- Live in Ziqqurat in 2001.