Mp3 music: Massive Attack

Artist: Massive Attack: mp3 download    Genre(s):  Trip-Hop Alternative Electronic Pop: Pop-Rock Dance Other     Massive Attack's discography:      Collected    Year: 2006    Tracks: 24      Mad Storage    Year: 2005    Tracks: 15      Bullet Boy    Year: 2005    Tracks: 2      Danny the dog    Year: 2004    Tracks: 21      100th Window    Year: 2003    Tracks: 9      Teardrop (Single)    Year: 1998    Tracks: 5      Singles 90 98 (CD11)    Year: 1998    Tracks: 7      Singles 90 98 (CD10)    Year: 1998    Tracks: 5      Singles 90 98 (CD09)    Year: 1998    Tracks: 5      Singles 90 98 (CD08)    Year: 1998    Tracks: 5      Singles 90 98 (CD07)    Year: 1998    Tracks: 7      Singles 90 98 (CD06)    Year: 1998    Tracks: 6      Singles 90 98 (CD05)    Year: 1998    Tracks: 7      Singles 90 98 (CD03)    Year: 1998    Tracks: 6      Singles 90 98 (CD01)    Year: 1998    Tracks: 5      Mezzanine    Year: 1998    Tracks: 11      Live At Albert Hall    Year: 1998    Tracks: 7      Inertia Creeps (Single)    Year: 1998    Tracks: 7      Inertia Creeps    Year: 1998    Tracks: 7      Angel (Single)    Year: 1998    Tracks: 5      Angel    Year: 1998    Tracks: 5      Risington (Single)    Year: 1997    Tracks: 5      Remix Album    Year: 1997    Tracks: 13      Protection (Single)    Year: 1995    Tracks: 6      Protection (Karmacoma)    Year: 1995    Tracks: 16      Protection    Year: 1995    Tracks: 10      No Protection    Year: 1995    Tracks: 8      Karmacoma (Single)    Year: 1995    Tracks: 7      Karmacoma    Year: 1995    Tracks: 7      Sly (Single)    Year: 1994    Tracks: 7      Sly    Year: 1994    Tracks: 7      Karmakoma    Year: 1994    Tracks: 7      Hymn Of The Big Wheel    Year: 1994    Tracks: 5      Hymn Of The Big Wheel (Single)    Year: 1992    Tracks: 5      Unfinished Sympathy    Year: 1991    Tracks: 5      Safe From Harm    Year: 1991    Tracks: 6      Blue Lines    Year: 1991    Tracks: 9      Daydreaming (Single)    Year: 1990    Tracks: 5      Daydreaming    Year: 1990    Tracks: 5      Indian Nusrat Fateh Ali Khan - (Lounge)    Year:     Tracks: 1 The pioneering power slow the open of trip-hop, Massive Attack were among the nearly forward-looking and influential groups of their generation; their mesmerizing reasoning -- a in darkness sensual and cinematic fusion of hip-hop rhythms, soulful melodies, horse grooves, and choice samples -- set the gait for a great deal of the dance medicine to come out end-to-end the nineties, paving material material the way for such acclaimed artists as Portishead, Sneaker Pimps, Beth Orton, and Tricky, himself a Massive Attack graduate. Their history dates back to 1983 and the formation of the Wild Bunch, one of the earliest and most successful sound-system/DJ collectives to get in on the U.K. music aspect; illustrious for their seamless integration of a wide-cut range of musical styles, from punk to reggae to R&B, the group's parties speedily became can't-miss events for the Bristol clubhouse crowd, and at the bloom of their popularity they drew crowds so awful that the local bouncy music scene basically run aground to a block. When the Wild Bunch folded during the mid-'80s, two of its members -- Andrew "Mushroom" Vowles and Grant "Dada G" Marshall -- teamed with local graffiti artist 3D (born Robert del Naja) to form Massive Attack in 1987; some other Wild Bunch alum, Nellee Hooper, split his meter between the new group and his other stick out, Soul II Soul. The group's number 1 single, "Oneirism," appeared in 1990; it featured the sensual vocals of isaac M. Singer Shara Nelson and raps by Tricky, some other onetime Wild Bunch quisling. The classic "Unfinished Sympathy" followed, as did some other compelling effort, "Safe From Harm." Finally, in 1991 Massive Attack issued their debut LP, Blue Lines; piece by no substance a huge commercial success, the record was met with major critical praise, and was dubbed an exigent classical in many living quarters. Nelson, featured on many of the album's most memorable tracks, exited for a solo career shortly after, and the radical then bewilderingly changed their name to only "Massive" to debar whatsoever implication of favourable reception for the U.N.'s policy towards Iraq; in the wake of the fatal U.S. spell that followed, many were quick to write the band off right then and in that respect. Afterwards a three-year layoff, Massive Attack -- their full name now the right way reinstated -- resurfaced with Auspices; again working with Hooper and Tricky, they besides brought into the plica singer Nicolette, as well as Everything merely the Girl's Tracey Thorn. Three singles -- "Karmacoma," "Guileful," and the statute title track -- were released from the LP, which was besides remixed in its totality by Mad Professor and issued as No Protection. A drawn-out tour of duty followed, and over the side by side several age, Massive Attack's solo put to work was principally confined to remixes for artists including Garbage; they besides worked with Madonna on a track for a Marvin Gaye tribute record album. Finally, to promote their appearance at the annual Glastonbury music festival, the group issued a new EP, Risingson, during the summer of 1997. The third full-length Massive Attack effort, First balcony, appeared in mid-1998; in add-on to reggae singer Horace Andy, making his third consecutive LP show with the mathematical group, outspoken chores were handled by the Cocteau Twins' Elizabeth Fraser and fledgling Sara Jay. Entresol became a cult strike among critics, clubs, and the college crowds, spinning successful singles such as "Teardrop" and "Inertia Creeps." A spell of America and Europe followed, merely Vowles left the dance band after disagreeing with the artistic direction of Mezzanine floor. Del Naja and Marshall continued as a duet, after working with the likes of David Bowie and the Dandy Warhols, merely Marshall later took a leave of absence to elevate his family; producer Neil Davidge took up the slake. In February 2003, after a five-year expect, Massive Attack released their fourth record album, centesimal Window, including collaborations with lynchpin Horace Andy as well as Sinéad O'Connor. Danny the Dog from 2004 marked the group's introduction into the world of soundtracks.